
Direct from our newest correspondent Aleks Chan (or as we like to call him, our very own Ken Tucker in training) comes theTVaddict.com’s third and final Top 10 of 2008.
1. THE WIRE
Some say that David Simon’s Dickensian tale ended on a weaker note compared to season’s past. They’re dead wrong. A single episode of THE WIRE (about the drug wars, the cops investigating them, and the corrupted city government in Baltimore), even the worst one, is still better than everything TV had to offer in 2008. The final season centered on the local paper too inept too take notice of the overt tragedies before them. We saw the series’ most engrossing characters fall into the archetypes the failed city doomed them to fill, and we saw our antiheroes’ faces tighten into grimaces as their futures unfolded in an appreciated final goodbye. It wasn’t just a cop drama about good poh-lice and the gangsters they hunted, but a testament to the most tragic, serenely poetic, and tearfully funny tale of our time: us. THE WIREe wasn’t just TV, it was a masterpiece.
2. MAD MEN
Don Draper (Jon Hamm, stone-jawed poster-man for steely-eyed Great Performances), flailing in his age and failing to stay faithful, goes covorting by the sunny poolsides of California, far away from his Madison Ave office, where chaos is in full swing: Sterling Cooper, the ad agency where he works, has just been sold to a British firm. His ex-secretary has catapulted to the top of the steno pool, landing a junior copy writing job in a man’s world; his weaselly protege is unravelling like a ball of yarn thrown out the window. And his wife, peering into her refrigerator late at night, grabs a bottle of milk, and takes a swig. She just got back from her own extra-marital tryst, rendering her empowered, yet disgusted. MAD MEN’s second season unfolded with relishing zest, set at its own pace, tagging us along to the Bay of Pigs.
3. 30 ROCK
This spot should really be for Tina Fey, who’s celebrity went from “that sassy girl from SNL,” to “I can see Russia from my howse!” But her show 30 ROCK seemed to benefit just as well: its ratings are slightly up (though its no Two and a Half Men), and it’s as boldy creative as ever in its third season, anchored by Alec Baldwin’s game-changing performance as a whispery GE honcho. 30 ROCK is the true blood heir to the late ARRESTED DEVELOPMENT in that it is the embodiment of the best of TV’s past (think Mary Tyler Moore meets Seinfeld), under-appreciated for its smart, literate sense of humor. I bet Sarah Palin watches.
4. THE SHIELD
Now this is how you do a final season. Shawn Ryan’s tragic drama about a corrupt police squad came to the most arresting emotional breaking point in the series’ history as Vic Mackey’s (the astounding Michael Chiklis) seven years of a downward spiral finally thudded against the ground, leaving us in fits of tears, laughs, and pain. Walton Goggins, as Vic’s longtime partner and ultimately betrayer, deserves an Oscar. I don’t even care that it doesn’t make sense. THE SHIELD’s profound legacy doesn’t always either.
Read the rest of this entry »